Some intriguing stuff here (mostly related to vengeful chimps and bug POV shots) hopelessly weighed down by Argento’s apparent inability to understand how humans talk and behave—always a weakness with him but made painfully obvious in this lackluster setting, despite Connelly’s conviction. The final shocks feel more desperate than earned.
诺亚·鲍姆巴赫在两个小时的时间中近乎完整地呈现了一对原本如胶似漆的夫妇如何一步步走向不可挽回的分离的过程这出悲喜剧根由于女性无法自主追求事业与梦想从而隔阂日渐扩大又因空间上的分离与阻滞(纽约戏剧vs洛城电影的对立也颇具象征意味)及抚养权官司的升级而渐次丧失逆转之机鲍姆巴赫的剧作极其精巧细腻和工整节奏紧凑日本动漫排行榜2013许多信息仅通过对话来揭示留白得恰到好处以两人分别写给对方情真意切的“what I love about书信来结构首尾进一步强化了爱恨交织的酸楚与惆怅感寡姐和司机演得无可挑剔值得影帝影后提名两次吵架戏与律政交锋男主新家墙上的那记拳印与劳拉·邓恩对圣母与上帝的女性主义解读令人印象深刻不过看得出导演还是有意识地让观众更认同于丈夫赋予其更多共情时间(8.5/10)
四星半非常非常惊艳以及直达内心为什么我一直说我不要小孩because I am an unnatural motherI left my daughters for three years. “How did it feel? “It felt amazing. 作者选择的削水果皮的意象简直是惊人的sharp obversation我成长中的很多事情都忘记了但是我让我妈削水果不要削断皮的记忆一直都刻在脑子里同看的男同学的感想是: Dakota Johnson’s hotI want to have gyros for dinner tomorrow